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Black Angels Crumb Pdf Files

  1. Black Angels Crumb Pdf Files Free
  2. Black Angels Crumb Analysis
  3. Black Angels Crumb Pdf Files Online
  4. Crumb Black Angels Score

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  1. Music and Spirituality 13 Meditations around George Crumb’s Black Angels Marcel Cobussen Leiden University Things were turned upside down. There were terrifying things in the air.. They found their way into Black Angels. —George Crumb “Somewhere there has to be a.
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  3. 'Black Angels' reflects these haunting and mystical undertones; Crumb meant for the violin to embody the devil's music, and cast the cello as 'the voice of God.' The image of Black Angels is an archetypical convention used by artists to represent an angel banished from Heaven.

Black Angels (Edition Peters, NewYork, no. 66304, copyright 1971), subtitled 'Thirteen Images fromthe Dark Land' is an avant-garde work composed by George Crumb for'electric stringquartet.' It was composed over the course of a year and isdated 'Friday the Thirteenth, March 1970 (in tempore belli)' aswritten on the score. Crumb is very interested in numerology andnumerically structured the piece around 13 and 7.

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  • 2Construction andnumerology
  • 3Instrumentation
  • 4Stage Positioning
  • 5Cultural Influences

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Background

In the 1950s and 60s, composers began a new push in experimentalmusic, especially with regard to electronic techniques. George Crumbwas commissioned by the Stanley Quartet (then in residence at hisalma mater the University of Michigan) tocreate just such an experimental piece. Sure that he wanted toavoid writing a typical piece for string quartet, Crumb looked toexperimental piano music from the early 60s forinspiration, and decided to explore the contemporary world'sreligious strife in his composition. 'Black Angels' reflects thesehaunting and mystical undertones; Crumb meant for the violin toembody the devil's music, and cast the cello as 'the voice ofGod.'

The image of Black Angels is an archetypical conventionused by artists to represent an angel banished from Heaven. The 'Dark Land' refers toHell, with consistent referencesto Diablo, via Diabolus in Musica, theTrillo del diavolo ('Devil's Trill', fromGiuseppeTartini), and the DiesIrae (quoted in section 4 Devil-music, and as a DuoAlternativo in section 5 Danse Macabre). Crumb also makesreferences to other tonal works that incorporate death, such as Schubert'sDeath and the Maiden (quoted insection 6 Pavana Lachrymae and section 13 ThrenodyIII).

'Black Angels' was not originally intended to refer to wartime,and Crumb only associated his work with Vietnam towards the end of its composition.'I came to recognize that there was something of the feeling ofthat strange time. That's when I called it music in temporebelli, in time of war,' he said in an interview with Philadelphia City Paper. Aftermaking the connection between his piece and war, Crumb alsoconnected it to another contemporary wartime piece, Penderecki's 'Threnody to theVictims of Hiroshima.' Both pieces open with high pitchedextended technique on violin, and Black Angels featuresthree important threnodieswhich divide it.

Construction andnumerology

The first part, Departure, begins by establishing thedark mood of Black Angels Acer aspire 8930g cinedash media console driver windows 7 free. and introducing the primarydeath theme. In the second part, Absence, the fallenangel's themes are heard. Finally in part three, Return,God prevails over evil, as presented in section 10God-music.

Each of these parts is built around the primes 7 and 13 in some way. This might bereflected in the length of the section, its phrases, its notevalues, patterns of motifs, or pitch (in accordance with settheory). Crumb himself forgets how the numbers play in to everysection, and warns not to read too much into their significance, ashe 'got carried away with the Friday the 13th thing.' He views thenumerology as more of a 'technical, structural' experiment, and hasplayed down the numbers' significance increasingly in the yearssince 1970.

Program
PartTitleNumerology
I. Departure1. THRENODY I: Night of the Electric Insects13 times 7 and 7 times 13
2. Sounds of Bones and Flutes7 in 13
3. Lost Bells13 over 7
4. Devil-music7 and 13
5. DanseMacabre13 times 7
II. Absence6. Pavana Lachrymae13 under 13
7. THRENODY II: BLACK ANGELS!7 times 7 and 13 times 13
8. Sarabanda de la Muerte Oscura13 over 13
9. Lost Bells (Echo)7 times 13
III. Return10. God-music13 and 7
11. Ancient Voices7 over 13
12. Ancient Voices (echo)13 in 7
13. THRENODY III: Night of the Electric Insects7 times 13 and 13 times 7

Instrumentation

Black Angels is primarily written (in unusual and verydetailed notation) for (in Crumb's words) 'electric stringquartet.' Though generally played by amplified acousticinstruments, the work is occasionally performed on speciallyconstructed electronic string instruments. The music uses theextremes of the instruments' registers as well as extended techniques such as bowing on thefingerboard abovethe fingers and tapping the strings with thimbles. At certainpoints in the music, the players are even required to make soundswith their mouths and to speak.

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Each of the string players is also assigned a set of instrumentsto play throughout the piece. Some of the equipment requiresspecific preparation, such as the crystal glasses, which are tunedwith different amounts of water.

Violin 1

  • 7 crystal glasses
  • 6' glass rod
  • 2 metal thimbles
  • metal pick (paper clip)

Violin 2

  • 15' suspended tam-tam and mallet
  • contrabass bow(for use on tam-tam)
  • 7 crystal glasses
  • 6' glass rod
  • 2 metal thimbles
  • metal pick (paper clip)

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  • 6 crystal glasses
  • 6' glass rod
  • 2 metal thimbles
  • metal pick

Cello

  • maraca
  • 24' suspended tam-tam, soft and hard mallets
  • contrabass bow

StagePositioning

Crumb's score includes a diagram that places the four musiciansin a box-like formation. Electric Violin II and Electric Cello arelocated near upstage right and upstage left, respectively, withtheir tam-tams between them. Electric Violin I and Electric Violaare near downstage right and downstage left, respectively, but areslightly farther apart than the other two musicians in order toallow full sight of the quartet. Violin I, Violin II and Viola havea set of crystal glasses downstage of them, while Violin I andCello have maracas upstage of them. Each of the four musicians hasa speaker next to him or her.

CulturalInfluences

  • KronosQuartet, which specializes in new music, was originally formedwhen violinist David Harrington heard 'Black Angels' over theradio.[1] He thought Crumb's piece was 'something wild,something scary' and 'absolutely the right music to play.'[2]

Black Angels Crumb Pdf Files Free

It was the first composition Kronos performed.[2]

Black angels crumb kronos
  • 'Threnody I: Night of the Electric Insects' is featured on thesoundtrack of The Exorcist.[3]

Black Angels Crumb Analysis

References

  1. ^Elizabeth Farnsworth (3 December1998). 'KRONOS' (in English). PBS NewsHour. http://www.pbs.org/newshour/bb/entertainment/july-dec98/kronos_12-3.html. Retrieved 9 January2010.
  2. ^ abYaple, Carol(2008). 'Four Hundred Candles: TheCreation of a Repertoire'. Kronos Quartet. http://www.kronosquartet.org/25th/01.html. Retrieved2009-01-26.
  3. ^'George Crumb' (in English). Internet Movie Database. http://www.imdb.com/name/nm1278986/. Retrieved 9 January2010.

Black Angels Crumb Pdf Files Online

Externallinks

Crumb Black Angels Score

  • Interview in Philadelphia CityPaper